TajMahal - Symbol of Love |
It was 12 in the noon when I arrived there, and I did not even bothered to have my lunch. Carrying a small bag with a few packets of chips and biscuits, I hired a rickshaw to the Taj Mahal. The city seems to be quite cheaper in comparison to Delhi or Jaipur or some other tourist destination. In another few minutes, I was at the Taj. It was a dream come true. This jewel of Muslim art is one of the universally admired masterpieces of the world's heritage.
Declared a UNESCO World Heritage Site in 1983, the Taj Mahal is actually an integrated complex of structures. The first thing which fascinated me was the square plinth on which stands the large, white marble structure consisting of a symmetrical building with an iwan (an arch-shaped doorway) topped by a large dome and finial. People were clicking some photographs at the base structure, which is a multi-chambered cube with chamfered corners, forming an octagon that is about 55 meters on each of the four long sides. The marble dome towering 35 meters and surmounting the tomb is another spectacular feature.
I got along with a French group headed by a guide. The guide told us that the main finial was originally made of gold but was replaced by a copy made of gilded bronze In the early 19th century. The 40 meters tall minarets display the designer's penchant for symmetry. The best part of the Taj was calligraphy, paintings, stuccoes, stone inlays and carvings. The charbagh garden (with four river stream flowing in the centre) is completely inspired by Persian gardens.
Lastly, I visited the inner part of the Taj. I saw 99 names of the God as calligraphic inscriptions on the sides of the actual tomb of Mumtaz Mahal. The tomb of Shah Jahan also has a calligraphic inscription regarding the journey of his life. The guide told us that the construction began in 1632 and was completed around 1653, which employed about twenty thousand artisans and craftsmen. Over 1,000 elephants were used to transport building materials from various places – like the translucent white marble from Rajasthan, the jasper from Punjab, jade and crystal from Chinam, turquoise from Tibet, Lapis lazuli from Afghanistan, sapphire from Sri Lanka and the carnelian from Arabia. In all, 28 types of precious and semi-precious stones were inlaid into the white marble.
Standing majestically on the banks of River Yamuna, this epitome of love is simply a monument of immeasurable beauty.
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